An audio-visual postcard that director Viera ?ákanyová sends to the future, based on her fictional conversation with her future virtual copy. She playfully and intimately explores the potential of blockchain technology and artificial intelligence in solving complex man-made global problems such as climate change or the crisis of parliamentary democracy. From a curious and criti...
裘德(克里斯托弗·埃克莱斯顿 Christopher Eccleston饰)在农村长大,一心要用知识改变命运,考取大学成为了他的奋斗目标。但是,年少的欲望却让他与当地一个姑娘发生了关系,大学梦也随之破碎。
不久姑娘远走澳洲,寻觅更美好的生活。剩下裘德和他的梦想,继续在这里萌芽成长。裘德为了能考上大学,专门搬到大学城附近苦苦寻求机会。同时在这里,表妹苏(凯特·温丝莱特 Kate Winslet饰)让他暗暗倾心。迫于亲缘的关系,二人都不敢打破禁忌。当苏嫁给了他人,裘德终于冲破了心中压抑已久的感情。他们不理世俗,不想后果,只要一起。即使流浪到天涯都无所畏惧。然而,不幸终究来临。他们的孩子为这一切付上了沉重的代价,裘德和苏的感情,亦迎来了寒冷的严冬。
居住在纽约的摩根夫妇生活优渥,丈夫保罗(休·格兰特 Hugh Grant 饰)在司法界声名远播,妻子梅莉(莎拉·杰茜卡·帕克 Sarah Jessica Parker 饰)则是房地产界的精英女强人。事业上的卓越成就无法弥合夫妇俩日渐凸现的情感矛盾,保罗的外遇更致使两人长期分居,婚姻濒临崩溃。在分居后的第三个月,保罗主动约出妻子,希望与之重归于好。晚餐过后,摩根夫妇在瓢泼大雨中偶然目睹一桩杀人案,他们清楚看到凶手(麦克·凯利 Michael Kelly 饰)的长相,而自己的容貌也被凶手尽收眼底。
摩根夫妇此时恐怕首次要为自己的知名度而懊恼,因为凶手文森特毫不费力知道了他们的姓名。针对摩根夫妇的灭口追杀自此接连上演,他们只有抛弃一切,选择人间蒸发……
史莱克(麦克·梅尔斯 Mike Myers 配音)与菲奥纳公主(卡梅隆·迪亚兹Cameron Diaz 配音)和三胞胎宝贝幸福生活在一起后,他却对日复一日的平淡生活不满起来。在一次与菲奥纳公主激烈争吵后,他遇到了魔法师侏儒怪(沃尔特·道恩 Walt Dohrn 配音),并与其签订了“一天换一天”的魔法条约。但史莱克没想到,侏儒怪拿走的竟是他出生的那天,结果整个遥远王国变得面目全非,侏儒怪成了国王,派出无数女巫到处搜捕食人魔为奴。而若在日出之前史莱克无法获得菲奥纳公主的真爱之吻,他将彻底消失。焦急的史莱克再次初遇好朋友骡子(艾迪·墨菲 Eddie Murphy 配音),而靴猫剑客(安东尼奥·班德拉斯 Antonio Banderas 配音)则变成了菲奥纳公主的宠物肥猫。在他们的帮助下,史莱克竭尽全力赢取菲奥纳公主的芳心,只可惜事态发展远不如想象顺利……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
这部带有超现实主义色彩的剧集以幽默、「天真」的视角来描绘当代年轻人(特别是纽约市的年轻人)的约会生活——真可谓酸甜苦辣咸五味俱全。所谓「超现实主义」,是指该剧把谈恋爱看做一件「生死攸关」(life-and-death stakes)的事情。这个项目根据Simon Ric h撰写的畅销书《The Last Girlfriend On Earth》改编,Simon Rich亲自担任剧集创作人。年仅28岁的Simon Rich因此成为好莱坞历史上最年轻的剧集创作人之一。